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As Norman Foster describes in his firm’s monograph, Foster 40 , “Our transformation of the Reichstag is rooted in four related issues: the Bundestag’s significance as a democratic forum, an understanding of history, a commitment to public accessibility and a vigorous environmental agenda.”[1] Foster’s description sounds straightforward enough, but the process of creating the New German Parliament at the Reichstag was only the latest entry in the long, complex, and contentious history of the building.

As the home of the German parliament, nearly every design decision, from the major to the minutiae, took on a political significance. Nowhere is this more evident than in the dome. Foster’s winning design did not include a dome, but almost immediately after the competition was concluded, some members of parliament (MPs) began demanding a reconstruction of the original dome. As Sudjic recounts:

“Every trace of that original dome had been destroyed by a combination of war, fire, neglect, and post-war rebuilding. To make a literal reconstruction of how it had once looked went counter to all the architectural principles that Foster had come to believe in. Yet to a vocal and influential minority within Germany, it would be unthinkable to build a new parliament without a dome.”[9]

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As Norman Foster describes in his firm’s monograph, Foster 40 , “Our transformation of the Reichstag is rooted in four related issues: the Bundestag’s significance as a democratic forum, an understanding of history, a commitment to public accessibility and a vigorous environmental agenda.”[1] Foster’s description sounds straightforward enough, but the process of creating the New German Parliament at the Reichstag was only the latest entry in the long, complex, and contentious history of the building.

As the home of the German parliament, nearly every design decision, from the major to the minutiae, took on a political significance. Nowhere is this more evident than in the dome. Foster’s winning design did not include a dome, but almost immediately after the competition was concluded, some members of parliament (MPs) began demanding a reconstruction of the original dome. As Sudjic recounts:

“Every trace of that original dome had been destroyed by a combination of war, fire, neglect, and post-war rebuilding. To make a literal reconstruction of how it had once looked went counter to all the architectural principles that Foster had come to believe in. Yet to a vocal and influential minority within Germany, it would be unthinkable to build a new parliament without a dome.”[9]



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